下面是范文網(wǎng)小編收集的GRE閱讀必備技能詳解3篇，以供借鑒。
GRE閱讀必備技能詳解1
The work of English writer Aphra Behn (1640–1689) changed markedly during the 1680s, as she turned from writing plays to writing prose narratives. According to literary critic Rachel Carnell, most scholars view this change as primarily motivated by financial considerations: earning a living by writing for the theatre became more difficult in the 1680s, so Behn tried various other types of prose genres in the hope of finding another lucrative medium. In fact, a long epistolary scandal novel that she wrote in the mid-1680s sold quite well. Yet, as Carnell notes, Behn did not repeat this approach in her other prose works; instead, she turned to writing shorter, more serious novels, even though only about half of these were published during her lifetime. Carnell argues that Behn, whose stage productions are primarily comedies, may have turned to an emerging literary form, the novel, in a conscious attempt to criticize, and subvert for her own ends, the conventions and ideology of a well-established form of her day, the dramatic tragedy.
Carnell acknowledges that Behn admired the skill of such contemporary writers of dramatic tragedy as John Dryden, and that Behn’s own comic stage productions displayed the same partisanship for the reigning Stuart monarchy that characterized most of the politically oriented dramatic tragedies of her day. However, Carnell argues that Behn took issue with the way in which these writers and plays defined the nature of tragedy. As prescribed by Dryden, tragedy was supposed to concern a heroic man who is a public figure and who undergoes a fall that evokes pity from the audience. Carnell points out that Behn’s tragic novels focus instead on the plight of little-known women and the private world of the household; even in her few novels featuring male protagonists, Behn insists on the importance of the crimes these otherwise heroic figures commit in the domestic sphere. Moreover, according to Carnell, Behn questioned the view promulgated by monarchist dramatic tragedies such as Dryden’s: that the envisioned “public” political ideal—passive obedience to the nation’s king—ought to be mirrored in the private sphere, with family members wholly obedient to a male head of household. Carnell sees Behn’s novels not only as rejecting the model of patriarchal and hierarchical family order, but also as warning that insisting on such a parallel can result in real tragedy befalling the members of the domestic sphere. According to Carnell, Behn’s choice of literary form underscores the differences between her own approach to crafting a tragic story and that taken in the dramatic tragedies, with their artificial distinction between the public and private spheres. Behn’s novels engage in the political dialogue of her era by demonstrating that the good of the nation ultimately encompasses more than the good of the public figures who rule it.
1. The passage is primarily concerned with
A. tracing how Behn’s view of the nature of tragedy changed over time
B. explaining one author’s view of Behn’s contribution to the development of an emerging literary form
C. differentiating between the early and the late literary works of Behn
D. contrasting the approaches to tragedy taken by Behn and by Dryden
E. presenting one scholar’s explanation for a major development in Behn’s literary career
2. The passage suggests that Carnell sees Behn’s novels featuring male protagonists as differing from dramatic tragedies such as Dryden’s featuring male protagonists in that the former
A. depict these characters as less than heroic in their public actions
B. emphasize the consequences of these characters’ actions in the private sphere
C. insist on a parallel between the public and the private spheres
D. are aimed at a predominantly female audience
E. depict family members who disobey these protagonists
3. The passage suggests that Carnell believes Behn held which of the following attitudes about the relationship between the private and public spheres?
A. The private sphere is more appropriate than is the public sphere as the setting for plays about political events.
B. The structure of the private sphere should not replicate the hierarchical order of the public sphere.
C. Actions in the private sphere are more fundamental to ensuring the good of the nation than are actions in the public sphere.
D. Crimes committed in the private sphere are likely to cause tragedy in the public sphere rather than vice versa.
E. The private sphere is the mirror in which issues affecting the public sphere can most clearly be seen.
4. It can be inferred from the passage that the “artificial distinction” (line 53-54) refers to the
A. practice utilized in dramatic tragedies of providing different structural models for the public and the private spheres
B. ideology of many dramatic tragedies that advocate passive obedience only in the private sphere and not in the public sphere
C. convention that drama ought to concern events in the public sphere and that novels ought to concern events in the private sphere
D. assumption made by the authors of conventional dramatic tragedies that legitimate tragic action occurs only in the public sphere
E. approach taken by the dramatic tragedies in depicting male and female characters differently, depending on whether their roles were public or private
GRE閱讀必備技能詳解2
Extensive housing construction is underway in Pataska Forest, the habitat of a large population of deer. Because deer feed at the edges of forests, these deer will be attracted to the spaces alongside the new roads being cut through Pataska Forest to serve the new residential areas. Consequently, once the housing is occupied, the annual number of the forest’s deer hit by cars will be much higher than before construction started.
1. Which of the following is an assumption on which the argument depends?
A. The number of deer hit by commercial vehicles will not increase significantly when the housing is occupied.
B. Deer will be as attracted to the forest edge around new houses as to the forest edge alongside roads.
C. In years past, the annual number of deer that have been hit by cars on existing roads through Pataska Forest has been very low.
D. The development will leave sufficient forest to sustain a significant population of deer.
E. No deer hunting will be allowed in Pataska Forest when the housing is occupied.
GRE閱讀必備技能詳解3
一、GRE閱讀必備技能之把握規(guī)律。
如果我們把自己讀過的所有文章按照主題分類，比如分為校園類、醫(yī)學(xué)類、家庭類、環(huán)境類等等，到了考前，再按類別復(fù)習(xí)這些文章，我們不僅能系統(tǒng)掌握某一類別文章常用的詞匯，也能把握該類文章的結(jié)構(gòu)特點(diǎn)和出題規(guī)律。閱讀文章成千上萬，如何從有限中把握規(guī)律才是關(guān)鍵。最好的方法是，我們一開始就制定分類標(biāo)準(zhǔn)，每做完一篇文章就在其標(biāo)題后或首句前注明文章的類別，這樣到了考前，歸納起來就容易多了。
二、GRE閱讀必備技能之閱讀習(xí)慣。
養(yǎng)成規(guī)律的英文閱讀習(xí)慣就不會(huì)抗拒抵觸的情緒來面對(duì)英文文章了，當(dāng)然這個(gè)過程的轉(zhuǎn)化還是比較辛苦，需要很多時(shí)間和精力。也不能輕易放棄退縮，一旦覺得疲倦或是枯燥就想stop，這樣是肯定不行的，要想真正攻克GRE閱讀，想努力提升閱讀速度，就必須有十足的信心和恒心。熟能生巧是世人皆知的道理。每天都堅(jiān)持看英文文章，或者讀英文小說，要不斷訓(xùn)練閱讀能力。隨著閱讀量的增加，量變到質(zhì)變是必然的，會(huì)從閱讀速度到閱讀質(zhì)量產(chǎn)生巨大的進(jìn)步。
三、GRE閱讀必備技能之推理能力。
講求速度的范讀是應(yīng)試而用，要想真正培養(yǎng)邏輯推理能力，提高閱讀水平，還非精讀不可。文章的是永遠(yuǎn)讀不完的，如果想著去讀200篇各種模擬閱讀題，倒不如踏踏實(shí)實(shí)讀50篇?dú)v年備考資料。另外，地道的文章分析多了，對(duì)自己寫文章布局謀篇也不無好處。
第一遍讀文章時(shí)，模擬考試的緊張氣氛，盡量高質(zhì)快速。第二次閱讀文章的目的不在是獲取信息，而是把握文章的布局安排，分析作者的意圖。必須帶著思考再次閱讀文章，問問自己以下問題：如果自己寫同樣題目或題材的文章，會(huì)采取何種文章布局?如我們自己設(shè)想的布局與作者不同，那么具體不同之處在何處?這篇文章與以前讀過的同體裁文章相比，有何特點(diǎn)?也許有人會(huì)說，這樣的訓(xùn)練不就成了精讀課了嗎?如果時(shí)間允許，二次閱讀成了精讀，又有何不可?
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